ron androla

 

why

why don't we strip
no first let's hit all the lights
one candle somewhere
then strip our clothes off
be fat & old & walrus-like
nude

after that, i don't know,
sleep
sleep good & deep
enhancements of
rem ga-
lore

somewhere
we cum
sap
-like
liquids
of love

& people
whisper
people
whisper
about
everything

nobody
cares
half the earth
away
allah
is decapitated

sloppily
a woman
moans
her children
are pieces
of children

 

let us imagine

at some obscure juncture
of this evening the bottle
cap is lost

cap of the jim
beam black has
disappeared

ann
sd she
had it

yes
she knew
where it was

then
voila
it ain't there

no big
deal
i'm not angry

but
ann
portends

my anger
with
shutting herself

in the
bed-
room

feeling
fucking
guilty?

i don't
know
i don't

get it
we're both
fairly

out
of our
minds

 

iraq goodbye


i think he's dead.
i think saddam is dead.

bin laden,
well, that's

a whole
different

kettle
of fish.

illusionary
tactics

better
than asshole

ishness of
saddam -- bin

laden
is a shape-shifter

he's
a thousand people

a little
pig-tail'd girl,

a marine,
dea agent,

farmer in iowa
riding a bumpy tractor.

bin laden
has big tits

& a surgical
cunt

& keith richards
is his/her boyfriend.

his/her
sex partner.

keith
just laughs

like a skeleton
smiles

& comes
a few times

a day
bin laden meantime

is in
hiding

& being
cloned

a million
times over

a trillion
selves

of his
self.

saddam,
the fuckhead,

is
dead.

 

beck's "sea of change"

the computer clock says
6:58, but the digital alarm
behind me is 7:19
& that's the real time.

or around the real time.
microwave is 7:21
while stereo clock
7:20
& clock on the stove
is about 7:20
thereabouts as

the thin red arms
try to straighten
& stay
midnight or noon forever

i don't know what
time it is, exactly,
especially when
drunk, precisely,

yes,
embedded
with
stones of smoke

luckystone
opium
hash oil
glands

brain
chemicals
gleaming like
free amerika

children
are being
slaughter-
ed even as i

type
this
idiotic
poem

& nobody
wants
to
die

even
the
dead
want life back

 

first day of spring

it's a toledo gray day,
drizzle or just wetness
in the shadowy air.
i'm going bald up on top
& behind my head, i
say look doc i'm losing
my hair he laughs
he grins big
says yeah
we all are
i say don't they
make something
for baldness now
he laughs
he grins like
he can't stop
grinning
let's not worry
about it
he chuckles
stethoscoping
my chest
for a longer
time than
usual
a perfect picture of
health! he announces

i laugh
yeah

maybe i
blush

that was
yesterday

& today
suddenly

it's
today

& i'm getting
balder

& fatter
& crazier

than
ever

 

jim beam black

i've just returned from a rainy
afternoon trek in the jeep. mailed

some bills, picked up my prescription,
purchased five $1,000 a week for life

instant lottery tickets
because i thought of it

& thinking of it
is maybe a sign of luck?

of rainy day fantasy?
well, next i hit

the state store
since it's friday.

jim beam black
on sale even,

bottle in a big black
collector's tin too.

sits on the kitchen
table, uncrack'd,

awaiting
the calm flurry of

ann in an
hour.

i'm having coffee
now.

i'm biding
my time.

picture us
throwing back

shots
toasting the war,

toasting peace,
toasting toast,

toasting jim beam
black, toasting

the first day
of spring.

& yes,
later,

we'll
be very toasted;

yes,
twin pieces

of black
toast.

 

star read up
    in touch with ron androla
                                           ...and john hennessey

click for larger view
insertlabelsm2

BONGO MOON

spoken word by ron androla, with kurt nimmo, jeff filipski, & others. aural textures mixed by the eyes of ibad. produced & directed by kurt nimmo in chicago il., 1998. $10 postpaid.

order directly from
ron androla/1624 west grandview blvd APT 1/erie, pa 16509.

email for more info

ron androla

94277
   

 
     ron androla lives in erie, pennsylvania. he works steady 3rd shift in a factory as a custom molding press operator. he's been writing for 30-some years. maybe he's an alien.

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